Now I know that it was perhaps because the film was so searingly original in tone, so unique and new in execution compared to any film I had seen till that point," he added. I didn't realise what it was that fascinated me, but just remember experiencing a sense of heightened excitement. "A part of me changed irrevocably the day I watched it.
"My earliest memory of falling in love with the medium and actually being conscious and aware that I was falling in love and fascinated with the movies, was when I watched Nayagan as a child," Rahul Ravindran said. Recalling the memorable experience of a Mani Ratnam film, actor Rahul Ravindran said it was his Nayagan that generated his interest in acting. He produces most of his films, and has surprisingly, not assisted anyone. Mani Ratnam's tryst as film director began with the 1983 project Pallavi AnuPallavi, and there has been no looking back ever since. it didn't do well at the box office.," he said, and added that it was Iruvar that brought him and his debut film's cinematographer Krishnan Vasant together.
Nayagan movie movie#
"It was one movie where everything came together so brilliantly. In Iruvar, there was a lot of international influence in terms of shots and angles," Mr Prasanna told IANS. "I think the kind of filmmaking that was done in the movie was world-class, and it was a biopic that was very different from Nayagan in terms of the narrative style. And he continues to do so.įor filmmaker RS Prasanna, Mr Ratnam's Iruvar, which was about the relationship between cinema and politics in Tamil Nadu, is his 'Bhagwad Gita on filmmaking'. Rating: 0 / 5.In his illustrious career of over two decades, filmmaker Mani Ratnam, who turns 60 on Tuesday, has not only touched and entertained thousands of lives with his movies, he has also inspired a whole generation of directors, writers, editors, music composers and several others from different crafts of cinema. Sit without expectations and enjoy 'Nayagan'. Saravana Sakthi has set the pace in such a way, that one may not be able to spot logical loopholes in the film. In dual roles, he pulls off terrific performances. Equally appreciable are the roles enacted by Anandhraj. The ease with which she performs should be applauded. Sangeetha as the kidnapped woman is the scene stealer. Among those in the cast are Anandhraj, in a dual role and Vaiyapuri. He is joined by a police officer Guru (Ritheesh) in this task. Sakthi understands the gravity of the situation and takes it upon himself to rescue her. The tension mounts as the kidnappers are set to go after her child next. The woman is kept in confinement and somehow manages to contact Sakthi using the loose wires of a smashed phone. Sakthi (Ramana) receives a call on his mobile phone from a doctor Sharadha (Sangeetha), who has been abducted. Ramana, an actor with immense talent has been looking for the right break for quite some time now. Ritheesh made his debut with 'Kanal Neer' and in his very second film, he is portrayed a larger-than-life hero with elements like dance, fight and punch dialogues to boot. The former plays a policeman while the latter is a jobless youth.
`Nayagan' features J K Ritheesh and Ramana in lead roles. He is assisted by a cop to accomplish the task. If you can walk in with no expectations, you will very well come out quite pleased.Ī young man, who receives a phone call from a kidnapped woman, takes the responsibility of rescuing her and saving her family. The movie has enough commercial elements and the fast narration of events maintains momentum throughout the film. Director Saravana Sakthi has dished out an action-packed entertainer inspired by the Hollywood flick 'Cellular'.
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